I am a tenure-track assistant professor of French literature and culture at the University of St. Gallen and an Associate Member of the Centre for Humanities and Health at King’s College London. I was previously a Swiss National Science Foundation research fellow at the University of Zurich, affiliated with the Institute of Romance Studies and the Institute of Biomedical Ethics and History of Medicine. In 2016, I completed my three-year tenure as a Leverhulme Early Career fellow at the Department of French at King’s College London; prior to that I was the Joanna Randall McIver Junior Research Fellow at St Hugh’s College, Oxford University. After a BA in Philosophy and Modern Languages at Oxford University, an MPhil in European Literature and Culture at Cambridge University, I received my PhD in French literature and philosophy from Cambridge University in 2011 (funded by the Arts and Humanities Research Council). During my doctoral studies, I was a member of the Équipe Proust at the Institut des Texts et Manuscripts Modernes and a pensionnaire étrangère at the École Normale Supérieure, Rue d’Ulm.
My research has covered a wide range of topics in twentieth-century and contemporary French literature, philosophy and film. It is characterized by the aim to foster a culture of critical interdisciplinary thinking about literature, particularly with regard to medicine. To this end, my work crosses disciplinary boundaries and seeks to have a wider societal impact on how we think about healthcare, medicine and dying. I also work on medical ethics and have co-founded the Swiss Network for Ethics of Care, a platform for exchange and collaboration in the field of ethics of care.
The overall aim of my current research is to critically assess questions relating to medicine and healthcare in French twentieth-century and contemporary literature and the visual arts. This is why most of my work falls under the broad field of the Medical Humanities. I am an affiliated Researcher at the Center for the Humanities and Health at King’s College London and the Center for Medical Humanities at the University of Zurich; I have also held a research fellowship at the Institute for the Medical Humanities at the University of Texas Medical Branch.
I am interested in methodological questions defining the field of the Medical Humanities and its recent critical turn. In this context I have written about the doctor-patient encounter for the BMJ Medical Humanities Blog, I have contributed to The Polyphony and my perspective on the field has been cited in the Lancet Respiratory Medicine. I have also worked on psychotherapy ethics in twentieth-century literature and on the role of care in dementia narratives. Together with Monika Pietrzak-Franger (University of Vienna) I am editing a volume on medicine and literature for Cambridge University Press’s Critical Concepts Series (forthcoming in 2023). More recently, I have written a piece on dying in the age of COVID-19 (Cambridge Quarterly of Healthcare Ethics) and co-authored, with Vanessa Rampton (McGill), an opinion piece on the role of the humanities in thinking about COVID-19 (Undark Magazine).
My interests in the philosophy of medicine relate to the history of concepts in bioethics and psychotherapy ethics, as well as to narrative and care ethics. I am specifically interested in autonomy and the role of the family in end-of-life care. In 2015, I was a Yale-Hastings Scholar at the Yale Interdisciplinary Center for Bioethics and in 2017 a visiting fellow at the Hastings Center. Together with Vanessa Rampton (McGill) I have worked on the Kantian heritage of the bioethical principle of autonomy, as well as the role of care ethics in psychotherapy. Our work has been published or is forthcoming in The Oxford Handbook of Psychotherapy Ethics and The Journal of Medicine & Philosophy.
In my current book project, I seek to contextualize the meaning of ‘palliative’ within French literature and culture since 1975 - the year when reports about the work of Cicely Saunders, the founder of modern palliative care, gave the impetus to reform the French healthcare system’s approach to terminal disease. The book examines the ways in which literary (as well as a select number of visual) representations have idealized and criticized this particular model of end-of-life care and its assumptions about what constitutes a good death in France. This project is founded by a Swiss National Science Foundation Marie Heim-Vögtlin Grant; it has also been awarded a Camargo Core Fellowship for 2022. Together with Steven Wilson (Queen’s University Belfast), I am currently editing a special issue entitled ‘The Cultures of Palliative Care’ for Literature and Medicine (forthcoming 2024).
I focus mainly on questions raised by the representation of memory, mourning, trauma and pain in twentieth French literature and philosophy. Together with Olga Smith and Peter Collier I have co-edited a volume that brings together some of the most distinctive voices in contemporary discussions of memory and forgetting in French and Francophone studies. I have also explored these topics in a number of publications that focus on the work of Simone de Beauvoir, Ruwen Ogien, Paul Ricœur, André Malraux, Jacques Derrida, Louis Wolfson and Frédéric Badré.
Together with Steven Wilson (Queen’s University Belfast) I am currently co-editing a special issue entitled ‘The Cultural Languages of Pain’ for the Journal of Romance Studies.
My book, Mourning and Creativity in Proust, explores Proust’s answers to some of the fundamental challenges of the inevitable human experience of mourning. Combining psychoanalytic and poststructuralist frameworks for thinking loss, it develops an original theory of how mourning and creativity are linked and calls for a fresh approach of the modernist novel at large. A chapter of this book was awarded the runner-up of the Gapper Prize and the book was described as a ‘beautiful book that demonstrates the importance and complexity of mourning in Proust’s À la recherche du temps perdu’ (Review by Jennifer Rushworth, French Studies, 20 November 2018).
I have explored the reception of Du côté de chez Swann and of Proust’s work during his lifetime, as well as Proust's novel's connection with psychoanalysis, medicine, illness and the sociological thought of Maurice Halbwachs.
Together with Tom Stern (University College London) I am editing a volume on Proust and philosophy for Routledge’s Philosophical Minds series (forthcoming in 2022).
Within film studies, I focus primarily on documentary film. I have written on the role of testimony in film, which I have explored with regard to Claude Lanzmann’s Shoah. I have also written on the genre of the first-person documentary more broadly, particularly with regard to the visual depiction of death and dying in French and Swiss documentaries.
My research also engages with intermediality more broadly. As part of this I have explored the interconnectedness between literature and visual art in Proust, particularly with regard to the visual representations of Venice. In my current book project, I engage with photography and question the role that the photographic documentation of hospitals and hospices in the work of Jean-Louis Courtinat has played in shaping the public image of end-of-life care in France.
Committee: Emma Wilson (supervisor), Edward J. Hughes, Marion Schmid
First Class with Distinction
First Class with Distinction